Ayame Uchima 内間あやめ

観るものをファンタジーへと誘う、ポエティックな刺繍

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刺繍から空間まで

内間あやめは、その肩書きを一言で表すのが難しい。ビーズや糸を使って緻密で繊細な作品を作る刺繍作家でもあり、時にグラフィックデザインを活かした印刷物の制作や、様々なメディアを用いて空間全体を演出するアーティストでもある。表現手法は多岐に渡るが、彼女の作品にはどれも一貫した「物語性」がある。先日開催された展示では、キャロラインという名の少女が新種の星を発見し一躍有名になるも、その後謎の失踪を遂げるというストーリーを考案、その物語を綴った本を制作し、少女の部屋を再現したミュージアムを展開した。部屋の中に入った鑑賞者は、随所に展開される刺繍作品や小道具を媒介に、空想の世界へと誘われていく。作品は、自分たちの現実の世界とどこかにあるかもしれない場所や世界を繋ぐ媒体だと内間はいう。もともと技法そのものより先に、表現したい物語や世界があって、そのためにどういった演出や作品が必要か考えるのが内間の制作プロセス。教会を構成するモザイク画やステンドグラス、神父の衣装といった「装飾」一つ一つが、私たちを神聖な世界へと連れていってくれるための媒介であるように、自分の作品も例えそれが一つの小さな作品であっても、どこか別の世界へと観る人を誘ってくれるようなものでありたい、と彼女はいう。

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刺繍との出会い

表現手法は多岐に渡る内間だが、それでも彼女を語るのに欠かせないのは刺繍だ。遡れば高校時代に母親がダンスの衣装を刺繍を取り入れて作ってくれたのがきっかけ。幼い頃から工作や裁縫が好きだった内間も、影響を受けて刺繍をするようになった。大学ではデザインを専攻しながら、刺繍を学ぶためフランスへ留学。語学もままならないなか、一年間、リュネビル刺繍の名門、École Lesage(エコール・ルサージュ)へ通った。リュネビル刺繍は、刺繍枠に張った布にかぎ針をひと針ひと針刺してスパンコールやビーズなどのさまざまな素材を縫い付けながらほどこしていく伝統的な技法。オートクチュールの興盛と共に高度な技術が発展していった。刺繍は内間の肌に合い、新しい素材に触れるたび創作意欲が湧いた。物語と現実の世界を繋ぐという彼女の制作コンセプトにも、刺繍という表現手段は最適だった。刺繍に興味を持ち始めた当初、ファッションデザイナーのオランピア・ル・タンに影響を受けた。精巧で豪奢な印象の伝統的刺繍とは相反して、イラストレーションの要素も入ったポップで自由なル・タンの刺繍は、純粋に見ていて楽しいと感じた。彼女の少し肩の力の抜けた、おおらかで人間味のある作風が、自身の表現にも通ずるところがあった。

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旅は続く

制作のインスピレーションは旅先で得ることが多い。日本ではあまり出会うことのない壁に施された彩色やモザイク画、柱の彫刻など、特にヨーロッパの建築の室内装飾は新鮮だった。フランス滞在中、アンリ・マティスのロザリオ礼拝堂やシャガールの天井画、モーリス・ドニ美術館の礼拝堂など、近代芸術家が室内に装飾を施したいくつかの場所を訪れた経験が、現在の空間を意識した制作に繋がっている。最近は故郷の沖縄で見た空や海の色が、他のどこにもない色をしていて、改めて影響を受けた。2023年秋、内間は再びフランスへ渡り、刺繍の仕事に就きながらアーティスト活動を続ける予定だ。絵本が好きで、家族の誕生日やクリスマスの飾り付けをするのが大好きだった少女が、大人になり、異国の地で、小さなビーズと糸で想像性に満ちた物語を紡ぐ。それ自体がファンタジーのような、彼女自身のストーリー。これからも続く人生の旅は、彼女のクリエーションにも様々に影響を与え、また新しい世界を私たちに見せてくれるに違いない。

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1996
沖縄県生まれ
2018
École Lesage オートクチュール専門コース 修了
2020
筑波大学 芸術専門学群 工芸領域 卒業
2023
東京藝術大学大学院 美術研究科 デザイン専攻 修了

Poetic Embroidery that Invites Viewers to a World of Fantasy

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From Embroidery to Space

It is difficult to define Ayame Uchima’s practice in a mere few words. While she is an embroidery artist who employs beads and threads to create delicately intricate works, she also engages graphic design in the production of printed materials, and constructs entire spaces through incorporating a variety of media.  Although her methods of expression are diverse, all her works are consistent in their presence of a “narrative.” In a recent exhibition, she invented a story about a girl named Caroline who becomes famous after discovering a new kind of star, yet then mysteriously disappears—producing a book that tells her tale, while also developing a museum that recreated the girl’s room. Upon entering the room, viewers are invited to an imaginary world through the embroidery works and props displayed throughout. Uchima mentions that artworks are a medium that serve to connect our real world with places and worlds that may exist elsewhere. Her production process begins with thinking about the story or world she wishes to express before the technique itself, as well as the kind of direction or artwork that is needed to achieve that. Just as each of the “decorations” comprising a church, such as the mosaics, stained glass, and priest's costume are mediums that transport us to a sacred world, Uchima expresses the desire for her works, regardless of whether it may be something small, to carry those who view them into some other world.

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Encounter with Embroidery

Uchima employs diverse methods of expression, yet it is embroidery that is key and underlining element in discussing her practice. It all started back in high school when her mother made her dance costumes incorporating embroidery. Uchima, who loved crafts and sewing from an early age, was also inspired to take up embroidery. While majoring in design at university, Uchima went to France to study embroidery. Despite having difficulty with the language, she spent a year attending École Lesage, a prestigious school of Lunéville embroidery. Lunéville embroidery is a traditional technique in which various materials such as sequins and beads are stitched one by one using a crochet needle onto fabric stretched over an embroidery hoop. Advanced techniques had developed in correspondence to the rise of haute couture. Uchima found joy in working with embroidery, and was inspired to create whenever she encountered new materials. Embroidery was also the perfect medium for her concept of connecting the world of stories and reality. When Uchima first became interested in embroidery, she was influenced by work of fashion designer Olympia Le-Tan. She found fun in looking at Le-Tan’s works, which contrary to traditional embroidery characterized by elaborateness and opulence, were pop, unconventional, and incorporated elements of illustration. Uchima felt that Le-Tan’s slightly relaxed, generous, and humanistic style bore similarities to her own mode of expression.

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The Journey Continues

Uchima often gains inspiration for her work during her travels. The interior decor of European architecture is something she especially finds refreshing, with the likes of painted walls, mosaics, and carvings on pillars that are rarely seen in Japan. During her time in France, she visited several places whose interiors were decorated by modern artists, such as Henri Matisse's La Chapelle du Rosaire, Chagall's ceiling paintings, and the chapel at the Musée départemental Maurice Denis, the experiences of which inform her current works that demonstrate an awareness for space. Recently, she was once again influenced by the colors of the sky and ocean she saw in her hometown of Okinawa, which are unlike anywhere else. In the fall of 2023, Uchima plans to return to France to continue her artistic practice while pursuing a career in embroidery. A young girl who loved picture books and decorating for her family's birthdays and Christmases, grew up to tell stories rich with imagination in a land far from home, through tiny beads and threads. Her own story is like a fantasy. As the journey of her life continues to influence her creations in various ways, she is sure to introduce us to new and unseen worlds.

“atelier_3”
1996
Born in Okinawa
2018
Completed the Haute Couture Course at École Lesage
2020
Completed BA, Department of Crafts, School of Art and Design, University of Tsukuba University
2023
Completed MFA, Department of Design, Tokyo University of the Arts Graduate School of Fine Arts,